Showing posts with label 1950's dresses. Show all posts
Showing posts with label 1950's dresses. Show all posts

Wednesday, May 13, 2015

1950 Fashion: Sewing Patterns for Dresses


Vintage fashion for January 1950: a new decade with new styles.  Women were cutting and sewing a whole new silhouette that year.  My sister has kept me well stocked with vintage sewing pattern brochures. This newsprint catalog she gave me has several punched up color pages that I'm sharing with you here.


In 1950 dresses sported the newer sloping shoulders, 3/4 sleeve length and wide hemlines. For many girls it was a good time to sew up new clothes, departing from the tired and well-worn ones that had gotten them through the post war era.


An hourglass silhouette with tiny peplum is accented by turn-back cuffs and standing collars.


Circle and flared skirts with small waisted wide belts.  The rounded shoulders and tiny collars with high necklines keep the bodice demure, except for the bold white turned-back cuffs.


For more mature customers, the top two dresses carry over the diagonal draping and crepe textiles worn during the last decade. The perky red checked gingham number and the red dress are half size with a modern style spin.

Whether trying to date a vintage dress, sew up retro style copy, or just get inspired by fashion from 65 years ago, these pages with over a happy dozen dress patterns are great in both their differences and similarities.

Pattern Numbers shown here: Simplicity
3057
3058
3059
3060--Junior sizes
3061--Junior sizes
3064--Junior sizes
3065
3066
3067--Half sizes
3068--Half sizes
3069
3075--Junior sizes
3076--Junior sizes

Monday, July 8, 2013

Mother-Daughter: Dressing Alike in the 50's



Mothers and daughters dressing alike? During the 1950s and 1960s, matching outfits were almost a national style. Sometimes these matching sets were purchased, but more often they were home sewn.

At a time when mothers at home could sew their own fashions, it was very common to see tiny versions worn by their daughters. The same goes for fathers and sons, but in a lesser way. For them, matching sport shirts crafted by mom were worn.



When looking for vintage, it's very rare today to find a matching set from this era for a child and their parent. What we are left with are family photos and advertisements, capturing the charm of dressing alike. This nautical themed set is from an advertisement for "Everglaze" fabric. The dresses shown are by "Yolanda" in Springmaid cottons.

Monday, October 8, 2012

Australian Home Journal: Online Resource


Aren't these fashions from the 1940's and 50's delightful? They come from the terrific online source for "Australian Home Journal", 1949 - 1952.

In the "read online" format it can be viewed like a book with turning pages, or tiled. Personally I like the tiles best, since it's easy to scan the issue and enlarge only the pages you want to see.

Each issue has a few dress patterns. They are drawn in small scale, but are helpful if you want to copy a look from the magazine. Have fun with this site, you'll find it a great source for fashion for the average girl, guy and child during this era.

I want to thank Caitlin at "3:50 From Central" for pointing out this great fashion resource to me on her blog.

Tuesday, July 17, 2012

Dorothy O'hara: California Fashion Designer

“Makes women look nice and men look twice” Magazine advertisement, 1957: crepe in black, taupe, royal blue, $55
Dorothy O’hara was a Hollywood designer whose dresses were popular from the early 1940’s through the early 1960’s. During her career she designed movie costume as well as fashionable dresses that were sold a better stores nationwide.

Dorothy was part of an energetic fashion group calling themselves the “California Fashion Creators”. It included Pat Premo, Addie Masters, James Galanos, Edith Small, Charles Cooper, Tabak, and DeDe Johnson.

She was known as the “Sculptress in Fabric” for her dresses that featured artistic drape and fit. The dress styles were termed “step in”, referring to the fact that they were all-in-one with a zipper up the back, making the dresses easy to wear. She also designed crepe dresses that looked like suits, but were in fact one piece (1954).
Newspaper Advertisement, Fall 1945: crepe in blue, purple, green, sizes 10 – 16, $35

Dorothy began her career as a fashion model, a slim girl with red hair she would spend her life working with fabric and fashion. To learn pattern making, she studied at night while working as a model during the day. This training would gave her a opportunity to design for the company where she modeled.

As a movie costumer between 1945 and 47, she designed for starlets at Paramount, gaining experience in creating dramatic designs. She began her own fashion business in 1941 with her husband Hank Lunney, borrowing $800 using their car as collateral. This first venture was a line of six dresses that were produced on only two sewing machines that they bought and installed in their apartment in Los Angeles. She hoped to create couture style dresses in a production line.

By the end of her career, it was a multi-million dollar business sold internationally, producing between 400 and 600 dresses a day.

During her career she contributed numerous fashion tips that were carried in the local press. This marketing strategy would keep her name in the press and on the mind of her customer. In 1949 she recommended a slim skirt with peplum over the hips to create curves in a thin figure and conceal extra curves in larger sizes. She would produce sizes 12 through 20 to provide fashion for larger women as well as the fashionably petite.

Dorothy married to Lunney in about 1934 at the age of about 22. She lived in Orange County most of her married life and died in 1963 at the young age of 51.

“I like to think my clothes are both timely and timeless” (1960)


Movie costumes(She worked on several films with Alan Ladd): Variety Girl (1947. with Edith Head and Waldo Angelo), The Imperfect Lady (1947, with Gile Steele), Calcutta (1947), The Searching Wind (1946, with Michael Woulfe), Two Years Before the Mast (1946), The Unseen (1945), Salty O’Rourke (1945)

Television: Dick Van Dyke Show (My Husband is a Check Grabber: 1963, fashions by O’hara are seen in this episode)


Copyright, 2012: The written content and pictures in this article are the sole property of "Pintuckstyle.blogspot.com". Please do not copy or use any part of this article online without prior permission. If including information from this article in an original written document, please give credit by linking back to this article, thank you.

Thursday, December 29, 2011

Sheath Cocktail Dresses from 1958: Fit to Impress

1950s fahion
1950s fashion1958 fashion illustrations from "Modes Royale" a pattern magazine of European designs for the home seamstress.

Tuesday, December 27, 2011

1958: Vintage New Year Cocktail Dresses

1958 fashion illustration
1958 fashion illustration
1958 fashion illustration
Fashion Illustrations: 1958 from "Modes Royale"
This was a pattern magazine that showcased European fashion designs when cocktail dresses were at their height for creative drape and silhouette.

Thursday, December 22, 2011

1958 Back Views: Cocktail Dresses for New Years

1958 fashion
1958 fashion1958 fashion illustrations from "Modes Royale", a pattern magazine of European designs for the skilled seamstress.

Monday, June 27, 2011

1950's Dress by Anjac Fashions of California

Anjac dressA 1950's day dress by Anjac of Los Angeles is a perfect example of a mid-decade look for adult women. The wing collar is doubled, with a white top collar to frame the face. Classic 3/4 length sleeves have turned back cuffs. The center front closure is dotted with self covered buttons from the "V" neckline to hem.

AQnjac DressA slender body silhouette is achieved by having the fitted torso with dropped waistline. This is a silhouette similar to what we see in Givenchy's designs for Audrey Hepburn ("Love in the Afternoon" and "Funny Face", 1957). By lowering a gathered skirt to the hip bone, the waistline doesn't look bulky and full.

The unique fabric pattern is screen printed in white on what seems to be an acetate textile with some shine in soft gray. The fabric texture enhances the dress design, creating emphasis for the skirt folds.

The dress's label is designed to promote California fashion. This marketing technique was popular among companies in the region who hoped to see their products displayed in "California boutiques" at department stores throughout the US.

Anjac labelThe dress label reads:
Anjac fashions
Made in California
Styled by Jack Needleman

ANJAC story

The Anjac label was designed in Los Angeles for over 30 years. The company was founded by Jack Needleman, who named his new apparel company by combining his name with his wife Annette’s. Needleman had moved to Los Angeles with his wife in 1943 from New York City. In New York he worked in the apparel industry as a jobber. Although Anjac was begun to produce dresses, his business focus would later center on more profitable real estate transactions in the Garment District. By the 1960’s this was to become the force of his business.

Anjac designer, Ilse Metchek, joined the company in 1967. She arrived from Catalina, having worked there designing sportswear. At Anjac her profitable styles financed Needleman’s property expansions in the garment district where he would build an empire that exists today and includes many important historical buildings in the area. He would pass away in 1999, the properties now managed by his family.

Needleman maintained the Anjac label until 1984, when he sold it to Metchek. Under her leadership the company was renamed “Ilse M. Inc”. Metchek designed for her label until 1990 when she gave it up to take a position as president at White Stag. Today Ilse Metchek is president of the California Fashion Association in Los Angeles, which she formed in 1994 to promote unity and compliance within the local apparel industry.

REFERENCES

Fit to a T: from modeling to management, Ilse Metchek taps into her decades in the apparel business to guide the California Fash, by Maya Meinert: Los Angeles Business Journal, March 23, 2009, http://www.entrepreneur.com/tradejournals/article/197105816_1.html

Jack Needleman, OBIT, by Myrna Oliver: Los Angeles Times: May 4, 1999, http://articles.latimes.com/1999/may/04/news/mn-33753

Orpheum Owner Steve Needleman Is Bringing Life Back to Broadway, by Jason Mandell: LA Downtown News: Sept. 24, 2004, http://www.ladowntownnews.com/articles/2004/09/27/news/news03.txt

Friday, February 11, 2011

Gloria Swanson: A 20th century 'New Woman'







Gloria Swanson was an early film actress, born in 1899, she lived through the boom years of the film industry. By today's standards, Gloria was far ahead of most women in her day. Her acting career brought fame and wealth to her, giving her the flexibility to work on many projects that would benefit women and others. One of these was her ongoing design partnership with an American fashion company, Puritan Fashion Corp, from 1950 through 1982 (she would have been 83 years old at the time). For Purtain, Gloria designed for the "Forever Young" label, traveling around the country showcasing her styles and giving women advice on style and beauty.









Gloria Swanson's interests were wide: the arts, politics and inventions are included in her roster or achievements. A champion of natural foods, she campaigned in the 1950's for product labeling and food additive legislation. She also championed women on many levels. Politically she would protest tax rates for single people (1972) and supported the rights of senior citizens (1980's).

Overall, many of her achievements are unknown. In the end, she was obviously an amazing 'New Woman' of the 20th century!

The "Forever Young" labeled dresses seen here show Gloria's best fashion design technique: have texture and visual interest at the neckline, and widen the shoulders so that the hips appear more narrow. Add to that a flared skirt or hipline pockets as artful drapery. The pink lace dress above has a trim in bias cording that is scrolled around the neckline and around a flared skirt hem. The blue linen dress has a neckline trim of dyed to matched textured lace with rhinestone details.

Gloria would design dresses to flatter the average woman's figure. She didn't try to cinch in a waist to tightly or cut sleeve too short. These flattering dresses have a great fit for most women, and continue today to be sought after for their 1950's vintage styling that fit a modern contemporary figure.

Find out more about Gloria Swanson:
Harry Ransom Humanities Research Center, University of Texas, Austin:

The Blue dress is currently offered for sale in our shop.
The Pink dress has been sold.